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In "Remember This House" Raoul Peck envisions the book James Baldwin never finished -a radical narration about race in America, through the lives and assassinations of three of his friends: Martin Luther King Jr., Medgar Evers and Malcolm X. er here and you invented him you, the white people, invented him then you've got to find out why. Whether or not it's able to ask that question." This is it. It's not far from the 1960's scenes of police brutality in the South to clips of Rodney King and the tragedy of Ferguson. Edgar Hoover; he later fled to France, where he died.
Hard to credit now, but unlike the gabfests of today, which largely exist to allow celebrities to plug their latest book/film/set of saucepans, talk shows once gave mainstream air time to serious discussions about weighty issues.
While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
In 1979, James Baldwin wrote a letter to his literary agent describing his next project, "Remember This House." The book was to be a revolutionary, personal account of the lives and assassinations of three of his close friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. It is as poetic as it is a demand for white people to come to terms with how they have constructed blackness and what, indeed, this means about whiteness.
Runtime: 94 minutes OF the five films in the running for the best documentary Oscar this year, three were about race and racism in America, confirming that far from being a shame from the past, the subject is as fresh as the dawn.
If it had not been for Ezra Edelman’s OJ: Made in America, an epic (seven hours-plus) dig into the media-proclaimed “trial of the century”, my money would have been on Raoul Peck’s outstanding I Am Not Your Negro to lift the Academy Award.